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- <text id=89TT2315>
- <title>
- Sep. 04, 1989: New Directions For The Next Decade
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Sep. 04, 1989 Rock Rolls On:Rolling Stones
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- MUSIC, Page 63
- New Directions for The Next Decade
- </hdr><body>
- <p>Check out some tried-and-true recipes. Stir in new voices and
- taproots. Add heat. Stand back
- </p>
- <p> As it closes out the old decade and faces the new one, rock
- may be too catholic for its newer, younger core audience. Kids,
- of course, need a music to call their own; they need music that
- speaks to them while it cruises over the heads of their elders,
- or, even better, turns them right off. "The sales today are
- going with hard rock," says Kabl Rudman, publisher of Friday
- Morning Quarterback, an industry newsletter. "Heavy metal is
- doing well with sales and at concerts in the 14-to-18 age
- range. Rap is extremely big but is quite racial. That's doesn't
- mean white kids aren't into it, but it's pretty well
- segregated."
- </p>
- <p> To open for them on their new tour, the Stones have chosen
- hard-rocking Living Colour for a slot that has, over the years,
- taken on a fair amount of significance. Opening for the Stones
- has come to be not just another lucrative gig but a way for
- musicians (black) to break through to a larger audience (white).
- </p>
- <p> Stevie Wonder toured with the Stones; so did Peter Tosh;
- last time out, Prince kicked off some concerts for them. It is
- the Stones' way of reminding audiences of the incalculable debt
- the band owes to the traditions of rhythm and blues, and soul.
- It is also good business. Black audiences may turn out to catch
- the opener and stick around for the headliners. Certainly
- putting a quarter-century-old rock outfit beside a new band
- that's hot and soulful gives the Stones a little proximity to
- the future. Keeps them fresh, you might say. Keeps them young.
- </p>
- <p> For its part, Living Colour could use a little of the
- Stones' legendary entree. Theirs has not been an easy road.
- They were a hot club band on the East Coast, "really quite well
- known," as Mick Jagger says. "But they couldn't get a record
- deal because they were black and they weren't playing funk.
- They didn't fit into a category." A black band romping in the
- white world of hard rock is an anomaly (or, as the promo men
- would say, a hard sell) even today. Musicians may cross over a
- lot, but radio stations seldom do. Vernon Reid, 31, who plays
- guitar with an ear on Hendrix and an eye on the Top Ten,
- recognized the problem early on. "Being black makes it tougher,"
- he says. "It helped that we are a good band. But we had to be
- real good -- better than a white band has to be -- to convince
- radio and record companies to take the risk." There was a
- significant, and surprising, payoff. Living Colour's first album
- is still on the pop charts after a year, and after selling 1.5
- million copies.
- </p>
- <p> Rap also has a problem with the deejays. "The Top 40
- stations won't play it," says Rudman, even though some rap (by
- Tone Loc, Run-D.M.C., L.L. Cool J and the all-white Beastie
- Boys, among others) has busted through onto the upper regions of
- the pop charts. Not all the young action is rap, though. Ziggy
- Marley, one of Bob's band of children, has got the gift and, to
- go with it, a light way with carrying a heavy torch. On One
- Bright Day, the new album he made with the Melody Makers (his
- younger brother Stephen and two of his sisters, Sharon and
- Cedella), there is a lot of tradition and a little
- trailblazing. "This album to me sound a little stronger," says
- Ziggy, 20, with deft Rasta inflections. "A little stronger in
- the beat. It feel harder, with more aggression. I sing it more
- aggressive. I'm getting older. Music is a weapon. You can use
- a gun for murder, or you can use it to defend yourself." That's
- the choice: clap hands or put them up.
- </p>
- <p> Marley likes rap ("Yeah, mon. It's cool") but swears
- allegiance to reggae. Rap has proved to be a fertile source of
- inspiration for the ravishing Nenah Cherry, whose hit single
- Buffalo Stance dressed street sound up in supper-club clothes
- without sacrificing funk. Bobby Brown, the soul flash of the
- moment, made an album that sold more than 4 million copies and
- spawned three hit singles, marrying the sensuality of Marvin
- Gaye to the unearthly musical surprises of Prince.
- </p>
- <p> If there is one more route into the '90s, it leads inward.
- That's the Call's unswerving direction. After a single play of
- their new album Let the Day Begin, you understand immediately
- and intimately why Peter Gabriel called them "the future of
- American music." The Call's music is not retrograde or
- nostalgic, but it does hearken heavily to the indwelling
- mysteries that Dylan and the Band and Van Morrison also heard.
- "The Call is a band for people who feel things extremely," says
- Michael Been, the group's songwriter. "We're not for people who
- are extremely cool, for whom cool is the ultimate expression."
- From available auguries, it seems that the '90s may not be too
- cool either, so the Call should fit right in, finally. They
- have been cult favorites for about ten years now, but the title
- track of the new album is getting some wide play on the radio.
- "We shouldn't waste rock 'n' roll," Been says. "Rock should be
- looking at some of the big questions."
- </p>
- <p> And he has wise words for anyone fretting over the graying
- of rock, for whoever freaks out on musical fashion and obsesses
- over obsolescence. "To be a rock 'n' roller isn't like being a
- football player," he says. "There are brilliant jazz and
- country players and classical guys in their 60s. If you're a
- musician, you're a musician for life." Remember that this New
- Year's Eve. And turn the radio up a little. The Call should
- still be on.
- </p>
-
- </body></article>
- </text>
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